Abstracting the West

In January I wrote a post about some pieces I was working on in response to an upcoming call for entry.  The pieces were finished before the end of 2015 but the call for entry didn't happen until spring.  I didn't want to say anything about these pieces until I knew if there were going to be restrictions about posting artwork that was accepted.  Happily, my work was accepted into the show and there are no restrictions, so I'm free to share.  

The Laramie Art Quilters group is hosting a show titled Abstracting the West.   The show will be on exhibit at the Wyoming Territorial Prison State Historic Site, which is part of the Wyoming State Parks system. The facility is best known for housing Butch Cassidy during his only stay behind bars. An historic treasure in Laramie, WY, the park welcomes over 29,000 visitors each summer. Their new exhibit hall will house Abstracting the West from July 1, 2016 until September 30, 2016.  The reception for this show will be on June 30th.

These three pieces came together so easily for me that I began to wonder if they lacked legitimacy.  It's funny how we can come to feel that "real" art only happens where there is a struggle involved.  I'm choosing to see this experience as an indication that this type of mixed media stitched work is what really makes my heart sing.  It is hard to tell from the photos, but there is more paper than fabric in these quilts.  

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Colorado: Harebell

42" x 30"

(sandstone, blue sky, sunsets, wildfires, India Paintbrush, purple mountains, wildflowers)

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Colorado: Aspen

42" x 30"

(Colorado forests of aspen and pine)

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Colorado: Columbine

42" x 30"

(columbine flowers, aspens and pines, mountain lakes, starry nights)

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Colorado: Aspen - detail

(In this detail image you can more clearly see the white organza applique that I used to create the focal images in all three pieces.)

Two shows!

Everything seems to be happening at once right now.  I have artwork in two different shows that are both having artist receptions tomorrow night.  I am happy to announce that my piece Reflections will be shown at the Art Students League of Denver.  I took at class last year with the wonderful Jo Fitsell, who invited me to participate.  I honored that she thought of me!

Summer of Art: ASLD Students’ Exhibit

Invitational- Faculty & Students
Exhibition Dates: May 25 – June 22, 2016
First Friday Artist Reception:  June 3| 5:30 – 8pm
The Art Students League of Denver is an inclusive and inspiring art community where artists of all abilities are guided by professional artists to reach their highest potential. This exhibit highlights the talent of beginning to advanced students chosen by their instructors to represent our artists’ community at its best!

A couple of years ago I took a class with Katie Pasquini Masopust.  The class was about painting canvas and then cutting it up and reassembling it into painted canvas quilts.  I was so inspired by the workshop that I went home and painted several canvases.  Unfortunately I was not struck by inspiration at the time and never came up with any ideas for what to do with these painted canvases.  Until now!  40 West Arts announced a call for entry with the theme of Drip!  My painted canvas had been largely painted with dripping paint so I knew this was the time to get those canvases out and make something.  The following piece came together and I'm excited to say it was accepted into the show.  It is titled Polychrome Rain.  The reception for this show will be at the 40 West gallery on June 3rd, from 5:00 - 8:00 PM.

24" W x 43" H  Painted canvas and silk, collaged papers, acrylic paint, gold cord.  Machine stitched.

Urban Rhythms Show

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Earlier this year I created this piece, titled All Dolled Up.  This is theoretically part of a series, the first of which is my piece Reflections.  I have in mind an ongoing series about feminism.  All Dolled Up explores the ways in which women feel obliged to remake themselves into perfect dolls in order to be "good enough" in a society that worships youth and has very narrow and unrealistic ideals of beauty.  The number 10 on one of the mannikins probably speaks for itself, but I thought I would explain that the other numbers on and around the other two mannikins are the first several numbers in the Fibonacci Sequence.  I'm no mathematician so I will just say that these numbers represent a ratio that is often seen in nature and is considered visually pleasing.

I'm a bit behind the 8 ball in sharing that this piece was,accepted into an art show being held at the Art Gallery at the DPAC and Backstage Coffee.  The venue is a nice cafe at the Denver Performing Arts Center, which is a really high profile venue for all the artists involved.  There are a lot of high quality pieces hanging in this show.  Between the great food at the cafe and the wonderful art on display I'd say it's very worth checking out!

Theme:  Urban Rhythm

Urban:  in, relating to, or characteristic of a city or town.

Rhythm:  Movement or variation characterized by the regular recurrence or alternation of different quantities or conditions.

The Art Gallery at the DPAC and Backstage Coffee is located at 1000 14th St. 1B-1, Colorado.  The show will hang from April 24th through July 10th, 2016.

Above & Beyond Exhibition

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I'm exited to announce that my piece "Reflection" was accepted into the SAQA Above & Beyone Exhibition which opens at the Lakewood Cultural Center on January 22nd.  The LCC Main Gallery is a really nice venue for an art show and I'm certain that the pieces on exhibit will be excellent.  This show is all about the vast variety of techniques and approaches that art quilters are taking with their work.  I submitted "Reflection" because the techniques include an image printed onto silk with my home computer and printer, unusual materials such as Lutradur and acrylic paint and fabrics that I had designed and either dyed or painted myself. This medium is so exciting and versatile, which is why I love it so much!

Inspired!

Not long after I took that workshop with Deborah Fell, I heard about an upcoming call for entry for a show that will take place in 2016.  I don't want to say too much about this because I'm not sure what the status of  this show is at the moment, but between the techniques I was using after the workshop and the call for entry, I was hugely inspired!  The "theme" I chose to interpret was my personal vision of Colorado.  There was a ton of leftover material from the workshop that I wanted to use, but in the end I had three large pieces in mind and had to make even more materials.  A surface design superstorm hit my studio when I got out the Gelli Plate, stencils, stamps, and any other mark making tool I could find.  When I thought I had enough collage material I painted some canvas and began collaging.  When everything was dry I cut the collaged canvas into 6 inch squares and combined the colors into the background for a quilt.  I forgot to take photos of the original canvases but I did take some of the second round. Here are some pictures of the uncut canvases and one of the backgrounds that I assembled.

I had 3 thermofax screens made & you can see all 3 image in this photo.

Mixed Media Collage

Last September I took a workshop with Deborah Fell.  The workshop was a blast, and while I'm not sure I learned anything new in terms of technique, I did seem to get a lot of inspiration and I came away feeling like I had "permission" to do some of the work I've always wanted to do.  At the workshop I got started on several different pieces, but no where near finished on any of them.  When I got home I continued to work with one piece in particular.  I mostly took apart what I had begun at the workshop and revamped the whole thing.  Something about this process really spoke to me and I completed this piece in record time.  I began with color washes on a piece of canvas.  Then I collaged papers and fabrics on top with glue.  These collage items were created in a frenzy of mark making and painting until I had two tons of materials that I began randomly tearing up.  So fun!  When I had a collage I was happy with I added batting and backing and began stitching.  There is more paper in this "quilt" than fabric, and quite a few layers in some places but I had no trouble stitching it.  I love everything about this process and I'm thrilled with the result, although not so thrilled with the photo, LOL!  Here is the final piece.

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BOP Abstract 2015

Published!

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I'm so excited to announce that my art quilt Gothic Ghost Tale has been published in the Sept/Oct 2015 issue of Somerset Studio Magazine!  This is my very first full fledged article.  Stampington did a lovely job with the photographs (as always).  They even mentioned my quilt on the cover!  Swoon!

Gothic Ghost Tale

Although I failed to create much in the way of completed art work in 2014, I did spend some time working on projects.  Last June I blogged about a project I was working on that was all about Gothic windows.  I adore Gothic architecture and really wanted to do a piece about it.  I got to this point and got stuck:

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I worried over it, thought about it, took it to both my critique groups, and still could not resolve certain design flaws.  Eventually I decided to put it away for a while and come back to it later.  "Later" became now when I saw that Somerset Studio magazine had put out a call for Gothic themed artwork for a 2015 issue.  The time away from the project was very helpful, as it allow my brain to percolate on solutions in the background and this time I was able to bring the project to fruition.  I will be mailing it off to Stampington and Co. this afternoon.  Wish me luck!  Here is the finished piece:

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Gothic Ghost Tale

Work in progress

Happy Friday!  I don't work on Friday's so all Friday's are happy for me.  I should write an ode to the flex schedule!

Today I thought I'd write a post about something I'm in the middle of working on.  This began as a result of a call for entry for pieces about arthictecture.  I was not able to get this started, much less finished, in time for the entry deadline, but I'm still working on it.  I decided that my love of Gothic architecture was a good place to start and I began working on this piece about gothic windows.  Here is a picture of an early stage of the piece:

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These are pieces of painted Lutradur.  I have painted, stamped, and stenciled designs in my chosen color scheme and arranged the pieces in order.  One small piece is missing, but it shows up later.  The next photo is further along, after I have stitched all the windows and quilted the whole thing:

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As you can't see, the quilting isn't very visible so I may go over it again to make the stitching bolder.  This is the point where I decide if I should bother continuing.  Actually, I've been wondering that for quite a while as I worked on this piece.  Most of my work hits this stage where I just don't feel like it's going well.  I think most people can relate to going through this difficult process!  I took a mixed media workshop with Lynne Perrella last year and she said that if you don't like what you have done so far on a piece, then you haven't done enough.  Of course, she is a "maximalist" so more is more!  A philosophy I totally agree with.  I decided that part of what I love about Gothic architecture is the busy ornateness.  Since I'm not satisfied with this piece right now, I plan to keep going!  At the moment I'm working on bas relief gargoyles in polymer clay.  When they are far enough along I'll show them to you!

New website and blog!

Welcome to my new website and blog!  After much prodding from a good friend, I finally got around to updating my on-line presence.  It is my hope that the new web site will prove to be a more professional way to present my art portfolio.  I kind of doubt I'll ever be an amazing blogger, but I do enjoy the chance to include more information about what I'm up to than the web site alone would afford me.  So!  On to business as it were!

The early part of this year I was busy with art journaling and I do not yet have photos to share.  As always, I got back around to mixed media art quilting and this is what I was working on:

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Sorry for the somewhat blurry photo!  I have this opinion that "in progress" shots are not worth setting up the tripod.  I think I need to look into a better camera because if I don't use the tripod with this camera, I get blurry pictures.  Anyway, last year when I took the workshop with Sue Benner I cut out about a million pieces of prefused fabric in blue, gold, and olive green.  Since I had so many left over from the previous two projects, I decided to go for a third!  I did add some fusible to an inner office envelope for variety, and I spray painted through alphabet stencils to create the lettered fabric.  To make the green spirals I took pieces of green fabrics and fused them into a square shape.  Then I used a rotary cutter and cut the square on the bias to make multi colored strips of green.  I've done a little monoprinting and splattering with acrylic paint.  I was considering giving up on this project because my stitching came out much wonkier that I liked, but I've shown the piece to several people and they all think the wonky stitching goes well with the general wonkiness of the piece, so I guess I'll go ahead and finish it.

There is more to come on other projects in process, but one blog post at a time!  Thanks for stopping by.

Far Away Places - Finished!!!

I finally finished the pieces that I started at the Far Away Places workshop in May.  It took me a month and a half, but that's not too bad for three pieces of art.  At the workshop, Michelle advised us to COMMIT. Decide on one thing and commit to it, and the next step will follow.  When I got stuck working on these pieces I tried to follow her advise.  Truthfully, on the project above, I felt like I didn't have a clue and was going to screw it up anyway, so I might as well just do whatever came to mind.  It worked!  I can't say that I accomplished the things Michelle was trying to teach us, but I did end up with a piece that I'm happy with. After working on this piece I found myself with a big desire for more stencils!

My '"far away place" was some sort of mix of Gothic European elements and Indian elements.  Two styles I love.  This piece is 12.5" x 36" in real life.  I blurred out the face because I don't own the photo.  I have no intention of selling this piece or submitting it to an art show, and I don't intend to profit from it in any way. But I am really happy with it and wanted to show it on my blog.  There is a lot of Portfolio oil pastel on this piece, along with acrylic paint and collage.  The acrylic paint goes over the pastel very well, but it scrapes back off the pastel quite easily too.  The substrate is red rosin paper, and many of the collage elements are on plain old photo copy paper.  Considering the delicate (and non-archival) nature of the materials, I felt all these pieces needed to be sealed really well.  The Portfolio's are water soluble so I couldn't brush on a liquid varnish.  I decided to use a Golden spray varnish which worked very well.  I will also frame these pieces so they look nice hanging in my house and are protected from the elements.

When I got back to work on the piece above, I was pretty sure it was going to end up in the trash.  But I persevered and ended up with a piece I like so much that I am going to include it in an exhibition I'll be showing in at the end of the year.  Lynne 's approach to things really helped me here.  She said that if something she tried worked well she would usually do more of it.  So I tried to both COMMIT and DO MORE.  Good advice!  Now I'm getting back to work on the pieces I started in the workshop I took with Sue Benner in April.  Sue had so many great ideas for abstraction that I really want to try.  I'm taking at least one more workshop this fall so I figure all of my work for 2013 is going to come about as a result of multiple workshops.  I've been feeling kind of blocked for a long time now, but these workshops are giving me direction and opportunities to learn and to practice.  I have a lot of hang ups about making art, but my one great "skill" is my ability to follow through and to not stop trying.  Making art is a huge leap of faith and I work hard at maintaining my faith that doing the work will lead to better art.  I'll take care of the quantity, and the creative source will take care of the quality.

Michelle Ward does these great Evidence Pages that she often shows on her blog.  She provided us with little labels for us to use in making our own evidence pages from the workshop.  I'm keeping a scrapbook of things I've done and so I decided to make my own evidence pages, including a folder that I could keep mementos of my trip to Connecticut and the workshop.  Here are a few pictures of my evidence pages.

Award of Excellence!!

Graffiti Lilies

I entered this piece in the 2013 Inspire show being put on by 40W Arts here in Lakewood, CO.  This year the shows theme is recycled art or vivid color.  Happily for me I had this piece in the works.  This is made on recycled inter office envelopes, with newspaper, paint, tissue paper, various pens and grease pencils.  I mounted the collage onto a black fabric background that I pieced out of fragments of cloth leftover from some other project.  The background is quilted and trimmed with black satin ribbon.  I think it fits both of the shows themes!  Much to my delight I was asked if they could use my artwork for some of their outreach efforts and I won an Award of Excellence at the show.  My very first award!

Here is the thing about this piece..... it came together rather intuitively.  This never happens to me and finding that inner voice has been such a struggle.  I just wanted to play around with techniques one day so I started layering paint and newspaper on these envelopes and then tearing the paper back off to reveal layers.  When I decided I was done I had a background that I really liked.  But as usual I had no idea what to do with it.  It hung around on my design wall for several weeks while this teeny tiny little voice in my head kept whispering " add lilies made of more inter office envelopes".  I resisted.  Resistance is my specialty.  But I kept getting the same message and eventually I caved in and went for it.  This is the first pieces I've made that my husband genuinely likes.  The first piece that won an award.  Hmmmm.  I'm guessing that that intuitive voice in my head knows what its doing.  Now I just need to learn to hear it better.

Far Away Places Workshop

In May I flew to Connecticut to take the Far Away Places workshop with Michelle Ward and Lynne Perrella .  These two amazing women have been my mixed media heroes for years.  It's hard to believe that in a very short span of time I got to take workshops with the artists whose work I most admire.  Far Away Places was about imagining some distant exotic locale that spoke to your heart.  Some people chose Russia, Morocco, or a fairy garden.  I wanted to play with elements of Gothic European architecture and Indian opulence.  Michelle was our instructor on the first day and we worked on these accordion books.  Let me just say that Michelle is a stenciling wizard!  She also designs amazing stencils and she brought a huge pile of them and let us use them.  Another wonderful artist, Margaret Applin , was also taking the class and she let me use some of her great stencil designs as well.  Michelle's demonstrations and instructions were like a light bulb going off in my head.  Until I got to work, at which point the light promptly blew out.  Sigh.  I get in my own way so badly.  However, I was by no means the only person who did not get their project anywhere near finished.  I love the colors and shapes I've got going here, but I'm kind of stuck on what to do next.  Here are some better views of the front and back panels:

On Saturday Lynne took over teaching and we worked on these long banners.  I ended up working vertically, so maybe mine is more of a panel.  Lynne showed us how she uses Portfolio Oil Pastels to color faces and other elements in her work.  Both Lynne and Michelle make great use of stencils and masks.  It was so fascinating to watch Lynne demonstrate.  Here is my banner as it looked at the end of the day:

Getting this home in a suitcase without getting is creased was a challenge!  One of the things I love about Lynne's work is the rich color and busy-ness.  There is so much going on in her work.  Endless small details to peruse.  After taking this class I can look at her work and understand better how some of it was accomplished.

On Sunday Michelle and Lynne taught together.  We started by making a grid, either by collaging pager or painting, and then added other collage elements on top.

The grid part was easy.  I excel at creating backgrounds.  I just get stuck after that, LOL!  At some point I will add a headdress to the woman and details in their clothing.  Below is a photo of my work space at the workshop:

As with the Sue Benner workshop, one of the best parts of this experience was meeting the other participants.  I had so many lovely conversations with total strangers.  I dug deep down into myself and dragged my inner extrovert out into the light and it was so worth it.  This was my first time going to the east coast and most of the other women there were from nearby areas.  A couple of lovely ladies came from Toronto.  Something about taking a workshop draws a connection between everyone for a few days.  Its a wonderful feeling.

Fall Arts Harvest Exhibition

40 West Arts is hosting another art exhibition as a part of Denver Arts Week and I will have 3 pieces in the show! I also served on the jury for this exhibition which was an interesting experience. The three pieces that I entered are rather different from my usual work, but are representative of some of the other work I am interested in doing.

Still Not Good Enough - 2012

Sometime back I posted these pieces in order to discuss the fact that I had no idea how to finish them. I simply cannot afford to frame my artwork and I don't even know if they are worth putting the money into if I could afford it. But I like them and really wanted them to get out into the world. Eventually I decided on mounting them to painted hardboard and stapling clear vinyl over the top. They have a sort of grungy graffiti look to them and I felt that the hardboard, vinyl, and staples added to the look. There is also something narrative going on there with the feminist issues and the vinyl..... I'll leave that to your imagination and personal interpretation. These photos don't show the vinyl. I knew it would be shiny and hard to photograph so I took the pictures before adding it.

How Can I Serve You? - 2012

 These pieces were created with scraped acrylic paint on heavy bristol paper. I scraped, splattered, mono printed, stenciled, spray painted, etc. Happy painting abandon! Then I tore up a newspaper and reassembled it as a collage, photocopied the result and started playing with the silhouettes. As a nod to my predilection for using fabric, I included a wee bit of hand dyed cheesecloth. The collages were glued to the hardboard with gloss gel medium. Good thing too! They buckled. Even though I let them dry while weighted with heavy books. It was kind of a mess. There is an artist named Johnathan Talbot who does amazing collage. He uses a technique where he pre coats his collage materials with gloss medium and lets them dry. He then arranges his collage items into place and IRONS them down. I used this technique to place the collage silhouettes. When my pieces ended up buckled I put parchment paper of the top and ironed the heck outta them. It worked! The gel medium I used as glue fused down quite nicely! Phew!

Woman's Depth - 2012

2nd Place Winner!

I recently entered this piece in the "On My Own Time" art exhibit for State employees.  The exhibit is being shown at the Metropolitan State College, Center for Visual Arts, in the Santa Fe Art District of Denver.  Its a really nice gallery in the major Denver arts district so I am really happy to have a piece of art hanging there for a couple of weeks.  But even better..... I won 2nd place in the fine crafts category!  The competition is a two part deal.  The first part was the current exhibit.  They juried these entries to determine who will go on to the second part of the OMOT exhibit that will hang in the State Capitol building from December through May.  I'm very excited that this piece will be shown in our State Capitol.  My mother took a REALLY bad picture of me holding my ribbon at the reception and since it is my only documentation of the event I will share it in spite of how horrible I look.  I blinked.  Can you tell?

And a close up of the label.  Hey, I'm no where near jaded yet.  Got to document those successes you know!

Published in Quilting Arts Mag!

When my copy of the October/November issue of Quilting Arts Magazine arrived today I about burst from excitement.  A couple of months ago I entered a piece in the "What's Your Signature Color" reader challenge and my piece made it into the magazine.  This is a small 8" x 8" quiltlet made of fabric that I pieced, stamped, quilted, embroidered and embellished.  The squares are fabric-paper edged with gold and layered with small fabric scraps.  Sadly the blurb next to my piece says I live in Lakewood, California when it should say Colorado, but that little error hardly dents my thrill at being published in one of my favorite magazines.

Collage painting

I recently completed this 9"x12" collage painting.  Can you tell who inspired me?  I'm utterly fascinated by

Lynne Perrella's

work.  Could stare at it for hours.  Her work makes me shake.  That shaking feeling is what made me realize that I wanted to be an artist.  Nothing but art makes me feel that way.  It's like being seduced by a new lover.  Back to the painting....  This actually began as an experiment inspired by one of

Jane Davies

techniques where you dip a pipe cleaner in ink and feather it across the page and then scrape various colors of paint over the top with a credit card.  Great idea!  All my attempts looked like crap.  Sigh.  I put the papers away for a while and recently dug them out to see if I had any ideas.  The I took another look at Lynne Perrella's series based on Geoffrey Chaucer's Canterbury Tales and some ideas took off.  Stencil's and tar gel and t-shirt transfer paper, oh my!  It was great fun and I'm really happy with it.